DFAS

Lectures 2006 - 2007

 

Girl with a Pearl earing - Vermeer

Above: Part of Vermeer's "Girl with a Pearl Earring". Reproduced by kind permission of the Mauritshuis.

Lectures 2006 -2007

Tuesday 3rd October 2006

Life & Art in Ancient Egypt

Nicole Douek

Nicole Douek is a freelance lecturer at the British Museum and the Metropolitan Museum of Art, New York. She lectures to a number of archaeological and historical societies as well as to the University of the Third Age. She has been involved in excavations at Memphis with the Egypt Exploration Society and has made several television programmes on Ancient Egypt.

Tomb at Deir El MedinehLittle is known of the everyday life of ordinary people in ancient Egypt. But one very special village, Deir el Medineh, has provided the unique opportunity to recreate the daily life of the craftsmen who built the tombs of the pharaohs in the Valley of the Kings. The remains of the settlement, as well as the thousands of documents discovered by archaeologists, give a fascinating and intimate glimpse into the lives and hates, disputes and scandals, work and leisure of the tomb-builders and their families who lived and died over three thousand years ago.

Above: A tomb in Deir el Medineh.

Tuesday 7th November 2006

The Museum "Beelden aan Zee"

by the Director Jan Teeuwisse

Jan Teeuwisse will speak as director and art historian, specialised in this field.

We are guests at the museum Beelden aan Zee, where the director will talk to us about the history and aims of this private foundation and the only museum in The Netherlands that is entirely devoted to modern and contemporary international sculpture. Since 2004 the museum has been closely associated with the Sculpture Institute, a research centre and reference library.

To see pictures of this meeting click here.

To visit the museum's Dutch-language web site, click here.

Tuesday 12th December 2006

The Cup that Cheered:

Tea, Coffee & Chocolate
in the 18th Century

Dinah Reynolds

Dinah Reynolds has worked at the Ashmolean Museum in Oxford since 1976, specialising in ceramics, and has written about the Worcester Porcelain there. She has been a guide/lecturer at the Bodleian Library and Christ Church Picture Gallery, and is a National Trust lecturer. She is also an ex-DFAS chairman and is currently a president. Dinah Reynolds is very much looking forward to visiting Antwerp again.

18th Century ChocolatiereThe introduction of tea, coffee and chocolate in the mid-seventeenth century meant that new shapes had to be devised for serving and drinking these hot beverages. Fashionable society soon created the opportunities to enjoy them both in public, e.g. coffee houses, and at home. Slides used in this lecture include contemporary paintings as well as silver and ceramic utensils depicted in the paintings. Some of these were especially created for the new drinks such as coffee cups, tea cups and spoon trays. The lecture ends in the late eighteenth century when tea, coffee and chocolate had become accepted aspects of social life.

Above: 18th Century Chocolatière.

Tuesday 9th January 2007

Chopin and Delacriox

Janet Cannetty-Clarke

Janet Canetty-Clarke is very familiar to DFAS, having lectured here on three previous occasions. She is a lecturer in Music at Sussex University and gives individual lectures for Cambridge and London Universities, as well as being a guest conductor for the Frauen-Kammerorchester van Österreich in Vienna. 

In 1836 Chopin and Delacroix met in Paris, in the company of the notorious George Sand, and all became close friends. But whereas Delacroix truly enjoyed Chopin´s music, the pianist could not appreciate the painter. Why? 

Janet Cannetty-Clarke will explore this fascinating subject, using the piano, and slide illustrations.

Tuesday 6th February 2007

Daniel Libeskind

Winner of the
World Trade Center Competition

Alicia Salter

Alicia Salter is an architectural historian, and lectures widely not only in the UK but also the USA and Australia, and for the National Art Collections Fund and The National Trust in addition to NADFAS. She is a tour leader and cruise lecturer, a co-founder of 'Art Circle', and has contributed to the Dictionary of London.

Imperial War Museum ManchesterIn Daniel Libeskind we have an architect of great originality; his most famous work to date is the Jewish Museum in Berlin, but he has done work in Spain, Israel, and the USA, and a wonderful building for the Imperial War Museum in Manchester. 

His approach to design is most unusual. In the case of the Jewish Museum, he wanted to recreate the importance of the Jewish community of the thirties. Plotting the old Jewish addresses he found they formed a version of the Star of David which became the ground plan of his museum. It is this depth of search which distinguishes Libeskind from mainstream architects. He is a poet, a musician and an historian. The silhouette of his buildings may be confusing, but they work and to discover the logic behind the confusion is not only challenging but fun, and we will be able to enjoy that adventure together.

In February 2003, the Lower Manhattan Development Corporation chose Daniel Libeskind's design for rebuilding the 16-acre site of the former World Trade Center.

Above:
The Imperial War Museum in Manchester, England.

Tuesday 6th March 2007

How is it Made?

A Closer look at Silver

Helen Clifford 

Helen Clifford completed her doctorate at the Royal College of Art, and while studying a partnership of 18th century silversmiths learnt the basics of the craft in the College studios. She has curated many exhibitions connected with silver both historic and contemporary, including Twentieth Century Silver at the Crafts Council in 1995 and A Treasured Inheritance: 600 Years of Oxford College Silver at the Ashmolean in 2004. She is a Senior Research Fellow at the University of Warwick, and owner and curator of the Swaledale Museum in Reeth, North Yorkshire. In 2005 she was a member of the first Jerwood Prize panel for British Metalworking.

Goldsmithing dates back to the third millennium BC, and most silver is made in the same way as it was in medieval times. By understanding the basic processes of making and decorating silver you will be able to 'unlock' the silver you see in museums, in country houses and in your own homes. You will become familiar with the goldsmith's workshop and tools and appreciate both the changes and continuities in one of the oldest and most revered of our crafts.

Silver Hairbrush

Above: Silver hairbrush, Birmingham, UK, 1910

The lecture will cover:

  • Goldsmiths and their workshops from 1200 to the present.

  • Methods of construction including Raising, Spinning, Flat Sheet and Casting.

  • Methods of decorating including Embossing, Chasing and Engraving.

Tuesday 3rd April 2007

How to Look After Your Antique Furniture

Christopher Chanter

Christopher Chanter has led NADFAS lectures, study days and workshops and is the author of articles on restoration as well as being a consultant on restoration to the Georgian Group. He was the Chairman of Historic Buildings Committee, Somerset Archaeology and Natural History Society 1999-2004 and is currently correspondent to the Council of British Archaeology.

Georgian ChairThe lecture begins with a short talk on why we need to conserve our furniture, followed by slides on pieces that the lecturer has restored in various stately homes and other buildings in England, with advice on how to clean and polish furniture properly. There will be time for individual questions following the lecture.

Right: An early Georgian scroll back chair with hand carved cabriolet walnut feet with walnut cross banding.

Tuesday 8th May 2007

The Mughals of India

Ann Peerless 

Ann Peerless lectures for the V&A, the British Museum, and Swan Hellenic in India and Vietnam. She has a wide experience in adult education, schools (including Guy's Hospital) and Holloway (Women's) Prison. Ann has been commissioned by the Government of India and Air India for design work and photographic exhibitions, and has travelled and researched in India, Taiwan, China and parts of SE Asia.

Taj MahalMany Muslim invaders attacked India, seeking the wealth of the temples and leaving famine and pestilence behind them. This lecture tells the story of one family, descendants of Timur or Tamurlane who invaded India, put down roots and through five generations founded the Mughal dynasty, becoming one of the richest and most powerful empires that India has known. The wealth of the court was legendary. Great patrons of the arts, the Mughal Emperors brought with them the Persian influence and utilised the incredible indigenous skills of the Hindus to create some of the most exquisite art and the finest architecture the world has ever seen, culminating in the Taj Mahal.

This lecture tells the story of these Emperors and their contribution to the cultural heritage of India, which produced among many other achievements, the Taj Mahal.

Above: Sunrise at the Taj Mahal.